Filmography
For a more up-to-date list of credits, please see my IMDB profile. This list may omit some work done for corporate, commercial, and/or student clients.
| Year | Title | Director | Position | Category |
|---|---|---|---|---|
| 2023 | Hit Man | Richard Linklater | Dialogue editor | Narrative Feature |
| 2023 | Guián | Nicole Chi | Sound editor, Re-recording mixer | Documentary Feature |
| 2023 | Ten In Texas | Twila LaBar | Supervising sound editor, Re-recording mixer | Narrative Feature |
| 2023 | Where the Horses Heal the Soul | Twila LaBar | Supervising sound editor, Re-recording mixer | Documentary Feature |
| 2023 | Flowers | Tania Cattebeke Laconich | Sound editor, Re-recording mixer | Narrative Short |
| 2023 | Give | Kenya Gillespie | Re-recording mixer | Narrative Short |
| 2022 | Apollo 10½: A Space Age Childhood | Richard Linklater | Dialogue editor | Narrative Feature |
| 2021-2022 | Magnolia Table with Joanna Gaines | Blind Nil for Magnolia Network | Sound editor, Re-recording mixer | TV Series (32 episodes) |
| 2021-2022 | Art in Bloom with Helen Dealtry | Blind Nil for Magnolia Network | Sound editor, Re-recording mixer | TV Series (22 episodes) |
| 2022 | American Gadfly | Skye Wallin | Dialogue editor | Documentary Feature |
| 2022 | A Bunch of Amateurs | Kim Hopkins | Dialogue editor | Documentary Feature |
| 2022 | American Ocelot | Ben Masters | Dialogue editor | Documentary Feature |
| 2022 | Stuck | Brittany Reeber | Sound editor, Re-recording mixer | Narrative Short |
| 2022 | This Coulda Been An Email | Hallease Narvaez | Sound editor, Re-recording mixer | Web Series (3 episodes) |
| 2022 | Favorite Daughter | Dana Reilly | Re-recording mixer | Narrative Short |
| 2022 | Comadre | Nicole Chi | Sound editor, Re-recording mixer | Narrative Short |
| 2022 | Freedom’s Path | Brett Smith | Foley editor | Narrative Feature |
| 2022 | Heaven or Las Vegas | Jawni Han | Sound editor, Re-recording mixer | Narrative Short |
| 2021 | Ferny & Luca | Andrew Infante | Sound editor, Re-recording mixer | Narrative Feature |
| 2021 | Dear Mr. Brody | Keith Maitland | Dialogue editor | Documentary Feature |
| 2021 | Through the Plexi-Glass: The Last Days of the San Jose | Liz Lambert | Dialogue editor | Documentary Feature |
| 2021 | Without Getting Killed or Caught | Tamara Saviano, Paul Whitfield | Dialogue editor | Documentary Feature |
| 2021 | At the Ready | Maisie Crow | Dialogue editor | Documentary Feature |
| 2021 | Baahar | Prakshi Malik | Sound editor, Re-recording mixer | Narrative Short |
| 2020 | That Animal Rescue Show | Richard Linklater | Dialogue editor | TV Series (2 episodes) |
| 2020 | Run Sweetheart Run | Shana Feste | Dialogue editor | Narrative Feature |
| 2020 | Assassin 33 A.D. | Jim Carroll | Dialogue editor | Narrative Feature |
| 2020 | Summer Nights | Erik Richard Olson | Sound effects editor | Narrative Feature |
| 2020 | The Cheap Seats | Brittany Reeber | Sound editor, Re-recording mixer | Narrative Short |
| 2019 | Where’d You Go, Bernadette | Richard Linklater | Dialogue editor | Narrative Feature |
| 2019 | Running With Beto | David Modigliani | Dialogue editor | Documentary Feature |
| 2019 | Seadrift | Tim Tsai | Supervising sound editor, Re-recording mixer | Documentary Feature |
| 2019 | Over the Rainbow | Jeffrey Peixoto | Dialogue editor | Documentary Feature |
| 2019 | UFOs: The Lost Evidence | Megalomedia for Travel Channel | Sound editor, Re-recording mixer | TV Series (6 episodes) |
| 2019 | Jeremiah | Kenya Gillespie | Re-recording mixer | Narrative Short |
| 2019 | Las Cruces | Vanessa Uhlig | Sound editor, Re-recording mixer | Narrative Short |
| 2019 | Winogrand in Austin | David Lykes Keenan | Sound editor, Re-recording mixer | Documentary Short |
| 2018 | Shoot the Moon Right Between the Eyes | Graham Carter | Supervising sound editor, Re-recording mixer | Narrative Feature |
| 2018 | The Iron Orchard | Ty Roberts | Supervising sound editor, Re-recording mixer | Narrative Feature |
| 2018 | Hippie Family Values | Beverly Seckinger | Supervising sound editor, Re-recording mixer | Documentary Feature |
| 2018 | Voices of the Sea | Kim Hopkins | Dialogue editor | Documentary Feature |
| 2018 | A Strike and an Uprising in Texas | Anne Lewis | Dialogue editor | Documentary Feature |
| 2018 | My Friend Shokat | Bita Ghassemi | Sound editor, Re-recording mixer | Narrative Short |
| 2017 | Last Flag Flying | Richard Linklater | Dialogue editor | Narrative Feature |
| 2017 | Lazer Team 2 | Daniel Fabelo, Matt Hullum | Foley recordist | Narrative Feature |
| 2017 | The Green | Sophia Loffreda | Sound editor, Re-recording mixer | Narrative Short |
| 2017 | Bomb City | Jamie Brooks | Dialogue editor | Narrative Feature |
| 2017 | Do Donkeys Act? | David Redmon, Ashley Sabin | Sound designer | Documentary Feature |
| 2017 | Motherland | Ramona Diaz | Dialogue editor, sound effects editor | Documentary Feature |
| 2017 | Berserk | Nathaniel Pope | Sound editor, Re-recording mixer | Narrative Short |
| 2017 | Amanda and Jack Go Glamping | Brandon Dickerson | Dialogue editor | Narrative Feature |
| 2017 | Into the Who Knows! | Micah Barber | Production sound mixer, Dialogue editor | Narrative Feature |
| 2016 | Mattress | Mitchell O’Hearn | Sound editor, Re-recording mixer | Narrative Short |
| 2016 | El Tucán | Cameron Quevedo | Sound editor, Re-recording mixer | Narrative Short |
| 2016 | Sons | Vanessa Uhlig | Re-recording mixer | Narrative Short |
| 2016 | At the Fork | John Papola | Dialogue editor | Documentary Feature |
| 2016 | A Song for You: The Austin City Limits Story | Keith Maitland | Dialogue editor | Documentary Feature |
| 2016 | Tower | Keith Maitland | Dialogue editor | Documentary Feature |
| 2016 | All the Birds Have Flown South | Joshua H. Miller, Miles B. Miller | Dialogue editor | Narrative Feature |
| 2016 | Hunter Gatherer | Josh Locy | Dialogue editor | Narrative Feature |
| 2016 | Everybody Wants Some!! | Richard Linklater | Foley editor | Narrative Feature |
| 2016 | Hard Reset | Deepak Chetty | Boom Operator | Narrative Short |
| 2015 | Niege | David Redmon, Ashley Sabin | Sound designer, Re-recording mixer | Experimental Short |
| 2015 | Sentient 1 | Ashley Sabin | Sound designer, Re-recording mixer | Experimental Short |
| 2015 | Pushing Out Daisy | Alison Week | Sound editor, Re-recording mixer | Narrative Short |
| 2015 | Marta Rosa | Barbara Cigarroa | Sound editor, Re-recording mixer | Narrative Short |
| 2013-2015 | Shipping Wars | Megalomedia for A&E | Dialogue editor, Sound effects editor | TV Series |
| 2014-2022 | My 600 lb. Life | Megalomedia for TLC | Dialogue editor, Sound effects editor, Re-recording mixer | TV Series |
| 2014 | Red Oaks | David Gordon Green | Sound effects editor | TV Series (1 episode) |
| 2014 | Aurora | Robert Kouba | Dialogue editor | Narrative Feature |
| 2014 | Enhanced | Jeremy David White | Foley editor | Narrative Short |
| 2014 | Dance the Past Into the Future | Mario Mattei | Sound editor, Re-recording mixer | Documentary Feature |
| 2014 | Manglehorn | David Gordon Green | Foley editor | Narrative Feature |
| 2014 | Boyhood | Richard Linklater | Foley editor, Sound effects editor | Narrative Feature |
| 2013 | Passing Through | Gavin Cantrell | Production sound mixer, sound editor | Narrative Short |