Hello, and welcome! I am a post-production sound editor and mixer for film and television. I work at Soundcrafter, a post audio facility in Austin, TX, and I complete freelance projects both independently and in conjunction with Soundcrafter or other post houses.

Since graduating from the University of Texas at Austin in 2013, I have worked as a dialogue editor, sound designer, foley editor, and re-recording mixer on many feature films, documentaries, shorts, and TV episodes. I’ve worked on six Richard Linklater films, including Hit Man, Boyhood, Apollo 10 ½, and Where’d You Go, Bernadette?. I was the dialogue editor on Keith Maitland’s 2016 film Tower, for which the sound team received an Emmy nomination for Outstanding Music and Sound. I served as supervising sound editor/re-recording mixer on feature films The Iron Orchard (2018), Shoot the Moon Right Between the Eyes (2018), Seadrift (2019), Ferny & Luca (2021), Guián (2023), Rent Free (2024), and Somnium (2024), among others. Since 2016, I have mixed numerous student films for the University of Texas Department of Radio-Television-Film. I am an active member of Motion Picture Sound Editors.

I have a well-equipped home studio which is great for sound editing and pre-mixing. For final mixing, I generally utilize the first-rate 5.1, 7.1, or Dolby Atmos mixing rooms at Soundcrafter. I have an extensive sound library as well as the equipment to record custom foley and sound effects. Most importantly, I have the experience and know-how to use these tools creatively in order to craft an engaging, professional soundscape for your project.

I’m always looking to get involved with new projects. If you are a filmmaker in need of sound editing and mixing, I am happy to work up an estimate for projects of all sizes. Feel free to get in touch!

Photo of Miles